Floyd Crosby was their chief cinematographer, famous for his camera work on a number of exotic documentaries and the Oscar winner, High Noon. His innovative use of surreal color and odd lenses and angles gave the films of AIP a signature look. The early rubber monster suits and minatures of the late Paul Blaisdell embodied the best of Fifties monsterdom.
AIP was the first company to use focus groups, polling actual American teenagers about what they would like to see. They used their responses to determine titles, stars and story content. One typical method involved soming up with a great title, getting an artist to create a dynamic, eye-catching poster and thereby raising the cash for the movie, and then writing anc casting the film.
The many modern film independent companies such as Troma owe much to the trailblazing of American International. Roger Corman continues his work as the head of New Line Cinema, which also has a long history of independent production and the distribution of foreign made movies.