Nevertheless, he was by no means very popular among most critics, nor with the general public. His first book, "Lipless Faucets" (1954), was attacked by nearly all poetry critics; the first good review was that of Gabriel Moked, editor of the literary quarterly "Akhshav", and later one of Avidan's closest friends. Not only his art, but also his character, were constantly disputed. He was often condemned as egocentric, chauvinistic and technocratic. The quality of his later poetry was claimed to be inferior to that of his early works, although some critics (esp. those who favor postmodern and experimental trends in poetry) disagree.
Public interest in him diminished year by year, and by the early 1990s he could scarcely make a living, while both his financial and mental condition were very much shattered. He died in Tel Aviv, where he was born, the city which played a central role in his life, and was, in many ways, the center of his creation.