Reacting against a rich and afluent Britain of the sixties, it tried to re-radicalise design which had become lazy and uncritical. Drawing on ideas shared by Critical Theory and the Frankfurt School and the counter-culture of the time it explicitly reaffirmed the belief that Design is not a neutral value-free process.
It ralied against the consumerist culture that was purely concerned with buying and selling things and tried to highlight a [Humanist] dimension to graphic design theory. It was later updated and republished with a new group of signitatiries under the First things first 2000 Manifesto
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