Grammy Awards of 1998
The 40th
Grammy Awards were held in 1998. They recognized accomplishments by musicians from the previous year.
At the Awards ceremony, Wu-Tang Clan member Ol' Dirty Bastard drunkenly interrupted Shawn Colvin's acceptance speech to protest the Clan's loss in the Best Rap Album category.
Alternative
Blues
Children's
Classical
- Best Orchestral Performance
- Best Classical Vocal Performance
- Best Opera Recording
- Michael Woolcock (producer), Georg Solti (conductor), José van Dam, Ben Heppner, Herbert Lippert, Karita Mattila, Alan Opie, Rene Pape, Iris Vermillion & the Chicago Symphony Orchestra for Wagner: Die Meistersinger von Nürnberg
- Best Choral Performance
- Best Instrumental Soloist(s) Performance (with orchestra)
- Best Instrumental Soloist Performance (without orchestra)
- Janos Starker for Bach: Suites for Solo Cello Nos. 1 - 6
- Best Small Ensemble Performance (with or without conductor)
- Best Chamber Music Performance
- Best Classical Contemporary Composition
- Best Classical Album
- Steven Epstein (producer), David Zinman (conductor), Yo-Yo Ma & the Philadelphia Orchestra for Premieres - Cello Concertos (Works of Danielpour, Kirchner, Rouse)
Composing and arranging
Country
Folk
- Best Traditional Folk Album incl. Best Ethnic or Traditional Folk Recording/Best Ethnic or Traditional Folk Recording
- BeauSoleil for L'amour ou la Folie
- Best Contemporary Folk Album incl. Best Ethnic or Contemporary Folk Recording
Gospel
- Best Rock Gospel Album incl. Best Rock/Contemporary Gospel Album
- dc Talk for Welcome to the Freak Show: dc Talk Live in Concert
- Best Pop/Contemporary Gospel Album
- Best Southern, Country or Bluegrass Gospel Album
- Peter York (producer) for Amazing Grace 2: A Country Salute to Gospel performed by various artists
- Best Traditional Soul Gospel Album
- The Fairfield Four for I Couldn't Hear Nobody Pray
- Best Contemporary Soul Gospel Album
- Best Gospel Choir or Chorus Album
- Robert Searight II for God's Property From Kirk Franklin's Nu Nation performed by God's Property directed by Robert Searight II
Historical
- Best Historical Album
- Amy Horowitz, Jeff Place & Pete Reiniger (producers), Charlie Pilzer & David Glasser (engineers) for Anthology of American Folk Music (1997 Edition Expanded) performed by various artists
Jazz
- Best Contemporary Jazz Performance, Instrumental - Also cont. Jazz Performance Vocal or Instrumental
- Randy Brecker for Into the Sun
- Best Jazz Vocal Album
- Dee Dee Bridgewater for Dear Ella
- Best Jazz Instrumental Performance, Soloist
- Nicholas Payton for "Stardust" performed by Doc Cheatham & Nicholas Payton
- Best Instrumental Jazz Performance, Individual or Group
- Best Large Jazz Ensemble Performance
- Joe Henderson for Joe Henderson Big Band performed by the Joe Henderson Big Band
- Best Latin Jazz Performance
- Roy Hargrove's Crisol for Habana
Latin
- Best Latin Pop Performance
- Best Tropical Latin Performance
- Best Mexican-American/Tejano Music Performance
- La Mafia for En Tus Manos
- Best Latin Rock/Alternative Performance
- Los Fabulosos Cadillacs for Fabulosos Calavera
Musical Show
- Best Musical Show Album
- Jay David Saks (producer) for Chicago the Musical performed by Various Artists featuring Ann Reinking, Bebe Neuwirth, James Naughton & Joel Grey,
Music Video
- Best Music Video, Short Form
- Best Music Video, Long Form
- David May, Glen Ballard & Steve Purcell (producers) for Jagged Little Pill, Live performed by Alanis Morissette
New Age
Packaging and Notes
- Best Album Package - Incl. Album Cover, Graphic Arts, Photography
- Al Quattrocchi, Hugh Brown & Jeff Smith (art directors) for Titanic - Music as Heard on the Fateful Voyage performed by various artists
- Best Recording Package - Boxed
- Rachel Gutek (art director) for Beg Scream And Shout! The Big Ol' Box of '60s Soul performed by various artists
- Best Album Notes
- Kip Lornell, Luc Sante, Luis Kemnitzer, Neil V. Rosenberg & Peter Stampfel (notes writers) for Anthology Of American Folk Music (1997 Edition Expanded) performed by various artists
Polka
Pop
Production and engineering
- Best Engineered Recording, Non-Classical
- Frank Filipetti (engineer) for Hourglassperformed by James Taylor
- Producer of the Year, Non-Classical
- Best Classical Engineered Recording
- Michael Bishop (engineer) for Copland: The Music of America (Fanfare for the Common Man; Rodeo, etc.) conducted by Erich Kunzel
- Classical Producer of the Year
- Remixer of the Year
R&B
Rap
Reggae
Rock
Spoken
Trad Pop
- Best Traditional Pop Vocal Performance
World
Other Grammy Award Years
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