Used for a plethora of daily activities, from food storage to beverage container, ceramics were also a canvas of commemoration.
The utilitarian wear of the common people usually possesses only modest decoration. The funerary wear of the elite can be splendidly elaborate.
Strategic Mesoamerican ballgames, rituals, and death were key subjects painted or inscribed on the vessels.
The Maya had specific techniques to create, inscribe, paint, and design pottery. To begin creating a ceramic vessel the Maya had to locate the proper resources for clay and temper. The indigenous Maya, who currently live in Guatemala, still create wonderful ceramics. Prudence M. Rice provides a look at what the current Guatemalan Maya use today for clay. Highland, Guatemala has a rich geological history comprised mainly from a volcanic past. The metamorphic and igneous rock, as well as the sand and ash from the pumice areas provide many types of tempering. In the area, there are a range of clays that create varied colors and strengths when fired. Today's Maya locate their clays in the exposed river systems of the highland valleys. It is hypothesized that the ancient people obtained their clay by the same method as today's Maya. The clays are located in exposed river systems of the highland valleys. Most likely, due to the climatic similarities over the last millennia it is likely that these same deposits or similar ones could have been used in early times.
Once the clay and temper is collected, pottery creation begins. The artist would take the clay and mix it with the temper (the rock pieces, ash, or sand). Temper serves as a strengthening device for the pottery. Once worked into a proper consistency, the shape of the piece is created. A potting wheel was not used in creating this pottery. Instead, they used coil and slab techniques. The coil method most likely involved the formation of clay into long coiled pieces that were wound into a vessel. The coils were then smoothed together to create walls. The slab method used square slabs of clay to create boxes or types of additions like feet or lids for vessels. Once the pot was formed into the shape, then it would have been set to dry for a until it was leather hard, then it was painted, inscribed, or slipped. The last step was the firing of the vessel.
Unlike the Ancient Greeks, the Maya did not have glaze or glass to paint their ceramics. Instead they created clay slips from a mixture of clays and minerals. The clay slips were then used to decorate the pottery. By the fourth century, a broad range of colors including yellow, purple, red, and orange were being made. However, some Mayan painters refrained from using many colors and used only black, red, and occasionally cream. This series of ceramics is termed the "Codex-style", it being similar to the style of the Pre-Columbian books.
Following the 5th century, post-firing stucco was adopted from Teotihuacan. By preparing a thin quicklime, the Maya added mineral pigments that would dissolve and create rich blues and greens that added to their artistic culture. Many times this post-fire stucco technique was mixed with painting and incising. Incising is carving deeply or lightly into partially dried clay to create fine detailed designs. This technique was mostly popular during the Early Classic Period.
The Maya were a diverse people that evolved throughout the centuries. As they evolved so did their pottery. Archaeologists have found stages of commonality between types of ceramics, and these phases coincide with the Mayan timeline.
Middle Preclassic (900/800-250 BC) Late Preclassic (250 BC- AD 250) Early Mayan ceramics stemmed from a past that began even years before the Maya became a group. Originally, the early Maya used gourds cut into useful shapes to create vessels to carry liquids and foodstuffs. These portable and durable gourds made excellent containers. The first ceramics closely resembled gourds and many were decorated with rocker stamps and simple slips. During the Late Preclassic period, many of the ceramics took on appendages of tetrapod mammiform supports. These supports were four legs underneath the pot holding it up. Characteristic cream on-red stripes colored these unique vessels.