The name ophicleide means "keyed serpent", and in fact the ophicleide was developed as an improvement over the serpent. The serpent is difficult to play and has a soft timbre. Its tone holes are arranged essentially where one can reach them, rather than where they have the best effect acoustically. Hallary revised the entire concept, making the bore of metal (rather than the serpent's wood), positioning 9 tone holes in approximately correct locations, and covering the large holes with padded keys. Additional keys were added later to improve particular notes. However, the keys are not arranged to make sense to woodwind players: keys reach from the tone hole to the nearest finger (or thumb). Learning the fingerings is more like learning valve combinations.
The ophicleide was made in a variety of sizes, from the alto size (quinticlave) in Eb and F, and the bass in C and Bb, to the rare contrabass in Eb. The size most often found today is the bass, having a range corresponding roughly to the bassoon.