Raworth was born and grew up in London. He left school at the age of 16 and worked at a variety of jobs. In the early 1960s, while working as an operator on an international telephone exchange, he started a magazine called Outburst in which he published a number of British and American poets including Ed Dorn and LeRoi Jones. He also founded Matrix Press at this time.
In 1965, Raworth and Barry Hall set up Goliard Press, which published, amongst others, Charles Olson's first British collection. These ventures into publishing made a major contribution to British interest to the new American poetry of the 1960s.
His first book, The Relation Ship (1967) won the Alice Hunt Bartlett Prize. Donald Davie admired the book and encouraged Raworth to resume his education. Raworth took a B.A in Spanish. He then translated the work of Vincente Huidobro and other poets for his M.A.
In the 1970s, he worked in the United States and Mexico, teaching in a number of universities. He returned to England in 1977 to take up the post of resident poet in King's College, Cambridge.
His early poetry showed the influences of the Black Mountain and New York School poets, particularly Robert Creeley and John Ashbery. His 1974 book Ace saw Raworth move to a more disjunctive style, built from short, unpunctuated lines that entice the reader into following multiple syntactic possibilities, as they knit together everything from observations of the everyday to self-reflexive commentary on the acts of thinking and writing, to affectionate lifts from pulp fiction and film noir, to political satire. A series of long poems in this mode followed--after Ace came Writing (composed 1975-77; published 1982), Catacoustics (composed 1978-81; published 1991) and West Wind (composed 1982-83; published 1984). Subsequent projects have extended this mode into a kaleidoscopic sequence of 14-line poems (not exactly "sonnets") that extended through "Sentenced to Death" (in Visible Shivers, 1987), Eternal Sections (1993) and Survival (1994). Later collections include Clean & Well Lit (1996) and Meadow (1999). Raworth's 650-page Collected Poems was published in 2003, though a number of major works remain uncollected, including his uncategorizable prose-work A Serial Biography (1969), a uniquely vertiginous patchwork of autobiography and fiction.
Raworth gives regular readings of his work and has made a number of recordings. His readings are noted for his speed of delivery. He has long been interest in collaborative work and has created performance events and texts in collaboration with musicians such as Steve Lacy, other poets, including Jim Koller, Anselm Hollo, Gregory Corso and Franco Beltrametti, and painters including Joe Brainard, Jim Dine, Giovanni D'Agostino and Micaëla Henich. In 1991, he was the first European writer in 30 years to be invited to teach at the University of Cape Town. He has also worked with his wife, Val Raworth.
His visual art consists mainly of drawings, collage and found art and has been exhibited in Italy, France and the United States.
Raworth has strong Irish connections. His mother's family lived in the same house in Dublin as Sean O'Casey at the time that the playwright was working on Juno and the Paycock. In 1990, he took out an Irish passport.Early Life and Work
Development as a Poet
Performance and Collaboration
Raworth and Ireland